Does Michael Sheen know his own career? Watch the video. The film
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Following the release of Currents , tales of treacherous Trevors were a staple of the triple j textline. A song you can vibe out to on the dancefloor, with an infectious space-age strut charged by that rarest of anomalies — a killer bassline played on guitar. The production is next-level, arranging glistening synths and scratchy guitars into a kaleidoscopic blend of future RnB and glossy disco. The lyrics have intrigue, romance, catharsis, and a sticky rhyming pattern delivered in a falsetto that makes it fun as hell to sing along to. So much so, in fact, that Kevin initially gave the song away to someone he thought more adapted to doing the disco-pop thing with it: Mark Ronson. He also revealed the original demo came together in record time. However, it took much longer for him to get to the finished product. Kind of just found it again and wrote the rest of the song in a night.
Someone said they left together I ran out the door to get her She was holding hands with Trevor Not the greatest feeling ever. Oh my love, can't you see yourself by my side? No surprise when you're on his shoulder like every night. Oh my love, can't you see that you're on my mind? Don't suppose we could convince your lover to change his mind. She said: It's not now or never Wait ten years, we'll be together I said: Better late than never Just don't make me wait forever.
The song's accompanying music video mixes hand-drawn animation with live action and takes place in a high school, especially the gym and locker room, where a male basketball player suffers a broken heart. The song, along with " Let It Happen ", was one of two from Currents to reach the top five in Triple J 's Hottest of , ranking at number 4, whilst "Let It Happen" ranked at number 5. It also topped Triple J's Hottest of the s in March The week after reaching 1 in Triple J's Hottest of the s, the song entered the ARIA Top 50 for the first time, charting 49 places higher than its previous peak of That song originally I thought shouldn't be on a Tame Impala album, because it has this dorky, white disco funk.